TUBE-TECH

 

1.

CL1B 35 686 kr (28 549,00 kr)

CL1B: The Industry Standard Vocal Compressor! The TUBE-TECH CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors. Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily. CL1B is by far the most popular TUBE-TECH unit, and this is not without a reason: For vocals and instruments like guitar bass and keys (regardless of musical genre) the CL1B delivers extremely musical and smooth compression, just what’s needed to make the track fit into your mix without any muddiness or distortion, even at very extreme settings. The CL1B is VERY easy to use; just dial in what you need! You’ll hear and feel the action immediately and don’t have to doubt whether the setting works, it’s always obvious. With thousands of units sold, the CL 1B is by far the most successful TUBE-TECH device to date, and its distinctive sound can be heard on countless legendary recordings. The number of hit records featuring the CL1B is countless and the rule is that the majority of all top singers and musicians demands the CL1B for their recordings regardless of the genre they perform. As an example, it’s e well known secret that all the big Hip Hop / Rap stars depend heavily on the CL1B for their vocal performance.

 

2.

CL2A  42 702 kr (34 162,00 kr)

The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels. CL 2A is a great compressor on all sources, and it is widely known as an excellent “problem solver” when delicate gain control is called for. Use it on keyboards, guitars, vocals or even on the mix buss – the result is always musical, smooth and transparent. Among engineers, the CL 2A is loved because of its ability to keep instruments at their right place in the mix, while still retaining their dynamics.

 

3.

EQ1AM Technical Description The TUBE-TECH EQ 1AM is a full range one channel unit, featuring low and high cut, low and high shelving as well as three overlapping bands of equalization. The cut filters are designed around unity gain amplifiers and the shelving and the bell filters are designed around two tube operational amplifiers. The unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage. The EQ 1AM is fitted with rotary switches instead of pots for even more precise recall of settings. This enables very precise recall for mastering use.

EQ1AM  57 953 kr (46 363,00 kr)

The TUBE-TECH EQ 1AM is a full range one channel unit, featuring low and high cut, low and high shelving as well as three overlapping bands of equalization. The cut filters are designed around unity gain amplifiers and the shelving and the bell filters are designed around two tube operational amplifiers. The unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage. The EQ 1AM is fitted with rotary switches instead of pots for even more precise recall of settings. This enables very precise recall for mastering use.

 
4.

The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It's the first time this combination of filters has been designed in the analog domain. Technical: HLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi/Lo cut filters. The shelving EQ's are designed around a high gain tube amplifier, and the T- filter and Hi/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch. The HLT2A furthermore features an overall bypass switch. So how does it sound? The TUBE-TECH HLT 2A marks a different approach to EQ'ing. It is a very powerful overall shaping EQ, yet extremely simple to operate. To put it simply, the HLT2A will yield good results for basically any material and application, ranging from the demanding mastering engineer to the sound quality hungry project studio owner. The combination of Hi and Lo shelf and Lo/Mid frequency T just creates a ton of very nice EQ shaping possibilities! Mastering Version A mastering version of the HLT2A with stepped pots and a smaller and more detailed range for the shelf and T- filter EQ is now shipping!

36 297 kr (29 038,00 kr)

The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq.It’s the first time this combination of filters has been designed in the analog domain.

Technical: HLT 2A is a stereo unit, featuring active low and high shelving EQ and a passive T-filter plus passive Hi/Lo cut filters.

The shelving EQ’s are designed around a high gain tube amplifier, and the T- filter and Hi/Lo filters are passive filters placed after the active shelving EQ and before the output amplifier. All sections are supplied with a bypass switch.

The HLT2A furthermore features an overall bypass switch. So how does it sound? The TUBE-TECH HLT 2A marks a different approach to EQ’ing. It is a very powerful overall shaping EQ, yet extremely simple to operate. To put it simply, the HLT2A will yield good results for basically any material and application, ranging from the demanding mastering engineer to the sound quality hungry project studio owner. The combination of Hi and Lo shelf and Lo/Mid frequency T just creates a ton of very nice EQ shaping possibilities!

Mastering Version: A mastering version of the HLT2A with stepped pots and a smaller and more detailed range for the shelf and T- filter EQ is now shipping!

 

 

5.

LCA2B - Description The LCA 2B is an all-tube VCA compressor/limiter with two independent, linkable channels. LCA2B is a true TUBE VCA compressor, using a tube as the VCA.( Voltage controlled amplifier.) This kind of compressor is also known as a Vari Mu compressor. TUBE-TECH LCA 2B is one of the most powerful and versatile VCA compressors in the market: LCA 2B is extremely versatile, and it works equally well on vocals, instruments and as a bus compressor. Due to its very fast and smooth attack it is also perfect for drums and percussion. There''s literally nothing the LCA 2B can't handle very well: Powerful bus compression ( It's a dream used for buss compression both inserted and parallel.) + fine single instrument and voice compression. Check our Video: Parallel Snare Drum Compression The action of the LCA2B is always easy to hear, so finding the right setting on this compressor is a not complicated. LCA2B is designed to be the TUBE-TECH equivalent of the Fairchild 670, but only in terms of action, not the actual electronics. It is designed with the Fairchild in mind, delivering similar action but retaining its transparency or high frequencies, even when pushed to the limit.) The fixed attack/release constants are duplicates of the Fairchild constants. When you want even more control, power and wildness than our famous CL1B can deliver, try the LCA 2B. The LCA2B has found its use in many top live Engineers' touring racks.

LCA2B  46 057kr (36 846,00 kr)

The LCA 2B is an all-tube VCA compressor/limiter with two independent, linkable channels. LCA2B is a true TUBE VCA compressor, using a tube as the VCA.( Voltage controlled amplifier.) This kind of compressor is also known as a Vari Mu compressor. TUBE-TECH LCA 2B is one of the most powerful and versatile VCA compressors in the market: LCA 2B is extremely versatile, and it works equally well on vocals, instruments and as a bus compressor. Due to its very fast and smooth attack it is also perfect for drums and percussion. There”s literally nothing the LCA 2B can’t handle very well: Powerful bus compression ( It’s a dream used for buss compression both inserted and parallel.) + fine single instrument and voice compression. Check our Video: Parallel Snare Drum Compression The action of the LCA2B is always easy to hear, so finding the right setting on this compressor is a not complicated. LCA2B is designed to be the TUBE-TECH equivalent of the Fairchild 670, but only in terms of action, not the actual electronics. It is designed with the Fairchild in mind, delivering similar action but retaining its transparency or high frequencies, even when pushed to the limit.) The fixed attack/release constants are duplicates of the Fairchild constants. When you want even more control, power and wildness than our famous CL1B can deliver, try the LCA 2B. The LCA2B has found its use in many top live Engineers’ touring racks.

 

6.

ME1B - Description The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5 for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources. Mid frequencies have always been very important, when eqing instruments and vocals to make a mix come together. TUBE-TECH ME 1B can shape the midrange frequencies in that very pleasant way, only a passive equalizer is capable of. Even extreme midrange boosts still sound open and warm without the slightest trace of harshness.

 ME 1B is the perfect partner for the PE1C program eq and works very well as a bus EQ for many different uses The famous Motown sound? The ME1B is an important tool tool for adding that nice midrange to your recordings.

ME1B  25 926 kr (20 741,00 kr)

The TUBE-TECH ME 1B is a passive, all-tube midrange EQ based on the legendary Pultech MEQ5, featuring two boost- and one dip section. The bandwidth of the ME1B sections is designed broader than in the MEQ5 for ultra-smooth and musical equalization, perfect for vocals, instruments, speech and all other midrange sources.

Mid frequencies have always been very important, when eqing instruments and vocals to make a mix come together. TUBE-TECH ME 1B can shape the midrange frequencies in that very pleasant way, only a passive equalizer is capable of. Even extreme midrange boosts still sound open and warm without the slightest trace of harshness.
ME 1B is the perfect partner for the PE1C program eq and works very well as a bus EQ for many different uses. The famous Motown sound? The ME1B is an important tool tool for adding that nice midrange to your recordings.

 

7.

PE1C Description The PE 1C is a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp. With the original Pultec out of production for decades and used examples demanding sky-high prices, the PE 1C is by far the easiest way to achieve this unique and coveted sound. The PE 1C low end section combines two separate passive EQ filters with slightly different cut/boost frequencies. When the two sections are combined, this results in truly unique EQ curves, often named the “Low End Trick” and very useful for cleaning up low/mid frequencies. The high frequency and midrange bands really stand out in terms of transparency and clarity, and the PE 1C is broadly regarded as one of the world’s finest passive tube based equalizers.

PE1C   27 756 kr (22 205,00 kr)

The PE 1C is a passive, all-tube EQ, based on the classic PULTEC EQP 1A design and featuring a passive EQ section and a high quality op amp. With the original Pultec out of production for decades and used examples demanding sky-high prices, the PE 1C is by far the easiest way to achieve this unique and coveted sound. The PE 1C low end section combines two separate passive EQ filters with slightly different cut/boost frequencies. When the two sections are combined, this results in truly unique EQ curves, often named the “Low End Trick” and very useful for cleaning up low/mid frequencies. The high frequency and midrange bands really stand out in terms of transparency and clarity, and the PE 1C is broadly regarded as one of the world’s finest passive tube based equalizers.

 

8.

SMC 2B(M) Description The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. Combining the effect of wide 3 band level control with individual compression of the three bands creates pure magic, especially on the main mix bus, but also on submixes like drum buss, instrument groups and single tracks. The SMC2B is one of the few audio processors, that is very hard to bypass, even after a short listening test, and it will tend to stay inserted forever because of the color and dynamics it can add to your source material. Try it for mixing, and hear the magic no other compressor can deliver! For Live use the SMC2B is adding quality and musicality to top touring acts. As an extra bonus feature, SMC2B can also be used to solve / remove annoying frequencies in basses, vocals, etc. It can even be set up as a d-esser. SMC2B can be very effective when recording very dynamic vocalists without having to spend hours sorting out problems after the recording has been done. The SMC 2B is one of the most creative and musical audio tools available, and an all-time favorite for countless sound engineers around the world.

SMC 2B(M)   47 277 kr (37 822,00 kr)

The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. Combining the effect of wide 3 band level control with individual compression of the three bands creates pure magic, especially on the main mix bus, but also on submixes like drum buss, instrument groups and single tracks.

The SMC2B is one of the few audio processors, that is very hard to bypass, even after a short listening test, and it will tend to stay inserted forever because of the color and dynamics it can add to your source material. Try it for mixing, and hear the magic no other compressor can deliver! For Live use the SMC2B is adding quality and musicality to top touring acts.

As an extra bonus feature, SMC2B can also be used to solve / remove annoying frequencies in basses, vocals, etc. It can even be set up as a d-esser! SMC2B can be very effective when recording very dynamic vocalists without having to spend hours sorting out problems after the recording has been done.

The SMC 2B is one of the most creative and musical audio tools available, and an all-time favorite for countless sound engineers around the world.


9.

SMC2BM Description TUBE-TECH SMC2BM is the mastering version of the famous SMC2B Stereo Multiband Compressor On SMC2BM all audio controls feature High Quality switches,fitted with precision resistors, to ensure extreme accuracy in settings and recals. The SMC2BM has become one of the favorite mixing/mastering compressors for many top mastering engineers around the world. The sound of SMC2BM is the same as SMC2B.

SMC2BM 62 223 kr (49 779,00 kr)

TUBE-TECH SMC2BM is the mastering version of the famous SMC2B Stereo Multiband Compressor On SMC2BM all audio controls feature High Quality switches,fitted with precision resistors, to ensure extreme accuracy in settings and recals. The SMC2BM has become one of the favorite mixing/mastering compressors for many top mastering engineers around the world. The sound of SMC2BM is the same as SMC2B.

 

10.

MP2A Description The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps MP2A is the second in the new range of upgraded microphone preamplifier/DI's.( The modular PM1A was the first.) These new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpre''s. Serious listening tests of the MP 2A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs. The MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DI's, delivering world class sound for bass and guitar DI recordings. You simply won’t find a better DI than this!

MP2A    38 737 kr (30 990,00 kr)

The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps. MP2A is the second in the new range of upgraded microphone preamplifier/DI’s.( The modular PM1A was the first.) These new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpre”s.

Serious listening tests of the MP 2A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs. The MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DI’s, delivering world class sound for bass and guitar DI recordings.

 

 

11.

TUBE-TECH RM2 " TUBE BOX" The RM2 is a new 2 slot frame and internal power supply designed to support any two of the new TUBE-TECH miniature "RM Series" modules such as the CM1A tube compressor, EM1A tube EQ and PM1A tube Mic Pre. The new 2 slot RM2 joins the RM8 8 slot rack for the line of Tube Tech "RM" Series miniature all tube based modules. The RM2 provides the engineer with a very small, affordable, field configurable 2 channel option to achieve TUBE-TECH performance on tracks, mix buss or a live sound application. The user can easily slide a module in or out, changing the RM2 from Compressor to Mic Pre to EQ. The user can also arrange the RM2 in mono as a channel strip with a mic pre and compressor, or a mic pre and EQ. The TUBE-TECH RM system differs from other module-based systems in that it provides all the very high voltages needed to operate tubes properly with no compromises at all. The RM 2 TUBE BOX contains the power supply with all voltages (+270V, +48V, +15V, -15V and +12V) necessary for the modules to work. All voltages are stabilized. The frame is made of electroplated steel sheet to make it rugged and sturdy.

TUBE-TECH RM2 ” TUBE BOX”

9 372 kr (7 498,00 kr)

The RM2 is a new 2 slot frame and internal power supply designed to support any two of the new TUBE-TECH miniature ”RM Series” modules such as the CM1A tube compressor, EM1A tube EQ and PM1A tube Mic Pre. The new 2 slot RM2 joins the RM8 8 slot rack for the line of Tube Tech ”RM” Series miniature all tube based modules. The RM2 provides the engineer with a very small, affordable, field configurable 2 channel option to achieve TUBE-TECH performance on tracks, mix buss or a live sound application. The user can easily slide a module in or out, changing the RM2 from Compressor to Mic Pre to EQ. The user can also arrange the RM2 in mono as a channel strip with a mic pre and compressor, or a mic pre and EQ. The TUBE-TECH RM system differs from other module-based systems in that it provides all the very high voltages needed to operate tubes properly with no compromises at all. The RM 2 TUBE BOX contains the power supply with all voltages (+270V, +48V, +15V, -15V and +12V) necessary for the modules to work. All voltages are stabilized. The frame is made of electroplated steel sheet to make it rugged and sturdy.

 

12.

RM8 Rack Technical Description The RM series is TUBE-TECH''s modular solution for the ultimate modern studio setup. The TUBE-TECH RM 8 tabletop frame is designed for use where quality counts, but space is an issue, such as home studios, Pa systems, OB vans etc. The system allows for use of very high quality tube modules, and represents NO compromises in design quality. The frame holds eight RM modules of any selection and combination. It can be fitted with an optional rack mount. The RM 8 frame contains the power supply with all voltages (+270V, +48V, +15V, -15V and +12V) necessary for the modules to work. All voltages are stabilized. The frame is made of electroplated steel sheet to make it rugged and sturdy and with top and bottom aluminium cover. It also comes with a module for monitoring all voltages showing that they are present and correct. Inputs are female XLR paralleled to one DB25 female connector. Outputs are male XLR paralleled to one DB25 female connector. The frame can be configured with any combination of modules.

RM8

20 200 kr (16 160,00 kr)

The RM series is TUBE-TECH”s modular solution for the ultimate modern studio setup. The TUBE-TECH RM 8 tabletop frame is designed for use where quality counts, but space is an issue, such as home studios, Pa systems, OB vans etc. The system allows for use of very high quality tube modules, and represents NO compromises in design quality. The frame holds eight RM modules of any selection and combination. It can be fitted with an optional rack mount.

The RM 8 frame contains the power supply with all voltages (+270V, +48V, +15V, -15V and +12V) necessary for the modules to work. All voltages are stabilized. The frame is made of electroplated steel sheet to make it rugged and sturdy and with top and bottom aluminium cover. It also comes with a module for monitoring all voltages showing that they are present and correct. Inputs are female XLR paralleled to one DB25 female connector. Outputs are male XLR paralleled to one DB25 female connector. The frame can be configured with any combination of modules.

 

 

 

 

13.

14-cma1

 CM1A is the Modular CL1B, with updated action! 16 887 kr (13 510,00 kr)

The TUBE-TECH CM 1A Compressor is an optical, all-tube compressor.It features exactly the same tube circuit as our famous CL 1B Opto Compressor, but the action is different due to a different, carefully selected optical element and a fine-tuning of the control circuit.

This provides the CM 1A with an attack that enhances transients in a more punchy way, making it ideal for percussive material, yet still very well suited for vocals, bass guitar, etc. The different optical element does NOT seriously change the the ”classic” characteristics, known from the CL1B

The action of the CM1A places it somewhere between the LCA2B (Tube VCA) and the classic CL1B. CM1A has been extremely well received by numerous top engineers.

Note: Due to the high quality of the TUBE-TECH RM Series power supply and the pristine audio circuits, the Modular Series products deliver exactly the same uncompromised sound quality as our 19” units.

14.
15-em1a

Modular EQ EM1A   16 887 kr(13 510,00 kr)

The TUBE-TECH EM 1A Passive Tube EQ is an exact replica of our oldest ”classic”, the PE 1C all-tube, passive Program Equalizer, which itself is based on the classic PULTEC EQP 1A. The EM 1A features an all-passive EQ section and a high quality op amp. The circuit is in fact exactly the same as that of the PE 1C, only downsized to fit the modular form factor – without any changes whatsoever in specs or sound.

All the characteristics of the PE1C and all the famous special features are available. All components, including all transformers are exact the same as in PE1C.

Due to the high quality of the TUBE-TECH RM Series power supply and the pristine audio circuits, the Modular Series products deliver exactly the same uncompromised sound quality as our 19” units.

 

 

 

 

 

 

15.

PM1A 16 887 kr (13 510 kr)

The PM 1A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.

Serious listening tests of the PM 1A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs.

The PM 1A DI continues the TUBE-TECH tradition of extremely good sounding DI’s, delivering world class sound for bass and guitar DI recordings. You simply won’t find a better DI than this!

Note: Due to the high quality of the TUBE-TECH RM Series power supply and the pristine audio circuits, the Modular Series products deliver exactly the same uncompromised sound quality as our 19” units.

 

16.

Summing Amp SSA2B Description TUBE-TECH SSA2B sums your mixes Wide, Punchy and Transparent, with Rock Solid Low End! The TUBE-TECH SSA 2B Stereo Summing Amplifier features two very low noise/low distortion summing amplifiers with a very wide frequency response. It provides a high end, yet cost effective solution for analog summing, and the simple layout of the SSA 2B makes recall just as easy as when you work ITB. The SSA 2B sums your mix cleaner, wider and punchier than anything, you've heard before. It makes it possible to perform your mixing at a level previously only achievable from summing with the best and most expensive consoles, and the low end response just doesn't get any better than this, SSA2B features the tightest low end on the planet. Every user, we have been in contact with tells us about real low end improvement when using the SSA2B for summing! For those of you that haven't yet experienced the difference between even the best ITB mix and the real thing: Do yourself a favor and listen to the SSA2B

Summing Amp SSA2B Description

TUBE-TECH SSA2B sums your mixes Wide, Punchy and Transparent, with Rock Solid Low End! The TUBE-TECH SSA 2B Stereo Summing Amplifier features two very low noise/low distortion summing amplifiers with a very wide frequency response. It provides a high end, yet cost effective solution for analog summing, and the simple layout of the SSA 2B makes recall just as easy as when you work ITB.

The SSA 2B sums your mix cleaner, wider and punchier than anything, you’ve heard before. It makes it possible to perform your mixing at a level previously only achievable from summing with the best and most expensive consoles, and the low end response just doesn’t get any better than this, SSA2B features the tightest low end on the planet.

Every user, we have been in contact with tells us about real low end improvement when using the SSA2B for summing! For those of you that haven’t yet experienced the difference between even the best ITB mix and the real thing:

Do yourself a favor and listen to the SSA2B

 17.

MEC1A Description The MEC 1A is an all-tube mono recording channel, combining the classicTUBE-TECH designs: MP 1A mic preamp, EQ 1A active EQ and CL 2A compressor in one powerful, 2U recording package. The MEC 1A delivers true TUBE-TECH sound: Full and warm, yet open and transparent. MEC 1A is a compact and cost effective solution if you need a superior front end that will deliver top quality recordings, no matter what source you are working with.

MEC1A  47 887 kr (38 310,00 kr)

The MEC 1A is an all-tube mono recording channel, combining the classicTUBE-TECH designs: MP 1A mic preamp, EQ 1A active EQ and CL 2A compressor in one powerful, 2U recording package. The MEC 1A delivers true TUBE-TECH sound: Full and warm, yet open and transparent. MEC 1A is a compact and cost effective solution if you need a superior front end that will deliver top quality recordings, no matter what source you are working with.

18.

MMC1A Description Inspired by the success shown by our much-acclaimed TUBE-TECH SMC 2B Stereo Multiband Compressor, we have introduced this very special recording channel: A High End microphone preamplifier & multiband compressor with outstanding sonic properties – the MMC1A multiband recording channel MMC1A can be a big help when recording or mixing difficult sources like very dynamic voices or instruments where the tonal character changes with level. MMC1A can deliver "automated" control where it normally takes hours of work to achieve perfect results. Many singers have been "saved" by the MMC1A. Try the MMC1A on bass, acoustic or electric, It''s amazing, how it makes the instrument sit perfect in the mix! Bass instruments can be dynamically treated to get rid of frequencies that makes the sound muddy. MMC1A also opens up new exiting creative possibilities in recording and mixing full frequency range sources. Acoustic guitars and drums can be treated in a whole new way with endless possibilities. The MMC1A is very often used to process vocals in sound reinforcement with excellent results.

 MMC1A   43 312 kr (34 650,00 kr)

Inspired by the success shown by our much-acclaimed TUBE-TECH SMC 2B Stereo Multiband Compressor, we have introduced this very special recording channel: A High End microphone preamplifier & multiband compressor with outstanding sonic properties – the MMC1A multiband recording channel. MMC1A can be a big help when recording or mixing difficult sources like very dynamic voices or instruments where the tonal character changes with level.

MMC1A can deliver ”automated” control where it normally takes hours of work to achieve perfect results. Many singers have been ”saved” by the MMC1A. Try the MMC1A on bass, acoustic or electric, It”s amazing, how it makes the instrument sit perfect in the mix!

Bass instruments can be dynamically treated to get rid of frequencies that makes the sound muddy. MMC1A also opens up new exiting creative possibilities in recording and mixing full frequency range sources.

Acoustic guitars and drums can be treated in a whole new way with endless possibilities. The MMC1A is very often used to process vocals in sound reinforcement with excellent results.